![]() ![]() Good luck, printers.įind these videos helpful? Make sure you subscribe to our YouTube channel and sign up to receive notifications to know when we share our latest videos. Halftones are not easy to print! The more you practice, the better you'll get. Experiment and play to hone in your skills and process. Lastly, just try it out and play around. Discover how it looks on press. LEARN HOW TO CREATE A WHITE UNDERBASE IN ILLUSTRATOR If you need a white underbase for the print, you'll have to more the midpoint elsewhere. The design Colin created is meant to be printed without a white base. Colin plans to use a 230 mesh, so he may make the design 40 or 50 LPI. The separations can be based on shapes defined in the application. Separation Studio is an application that allows you to create single color and CMYK half-tone patterns in vector-based formats. The mesh count will affect which LPI you pick. Separation Studio is a powerful, easy-to-use color separation and artwork generator tool designed exclusively for Mac. The higher LPI, the less you'll need to move the midpoint. The LPI, the size of the dots, will impact where exactly you drop the midpoint. LEARN HOW TO DO SIMPLE COLOR SEPARATIONS IN ILLUSTRATOR The two colors overlap and eliminate that white, empty space in the middle. He moved the midpoints to where the brown and the cream are 70%. For example, Colin bumped up the midpoint on the cream and the brown within the mountains. Adjust the midpoint so that the two colors overlap. Go to the gradient menu and adjust the midpoint. To make that happen, first create a layer for each of the colors you want blending in and out of each other. Here, you will see the smooth blends in Illustrator and how that over lapping looks within Illustrator (he addresses this point at 6:50 in the video). (If you just want to watch it, he starts discussing this topic two minutes into the video.) As you can see, when he moves the design over - creating heavier overlapping of the physical dots - you can see the colors become more saturated. You'll notice in the middle of the blend, the color is muted, almost whitish. For a visual demonstration of what the dots will look like, Colin creates a separation in Photoshop that matches the film output. ![]() Separating blends is doable in Photoshop and in Illustrator. ![]() He also fades out the star behind the "N". In the design, Colin blends the cream color in the mountains and the diamond outline. He takes the design and inputs his own colors to his own liking. In the video, Colin uses a design from the Monoline Adventure Pack, which includes the Abonar font (both are available for you to download). He shares insights about the techniques that'll dial in your design and make it ready for perfect blending. Screen printing master Colin Huggins is here with another deep dive into artwork! In the latest video, Colin explains how to do color separations for blending and halftones in Adobe Illustrator. ![]()
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